A few years ago in film school, I had an assignment to make a movie using an old 16mm wind-up Bolex camera. I didn’t feel like making a normal narrative; instead, I lugged that clunky camera and a tripod around San Francisco and shot some timelapse footage. Mind you, I didn’t have any sort of automatic timer to control the old camera, so I literally stood in place while manually progressing the film, frame by frame. Most shots are about 15-20 minutes compressed into 15-20 seconds.
With one roll of film left, I needed to create a unifying theme for all the timelapse footage, so I asked a girl to walk around pretending to take pictures. She’s using a magic camera, I guess; I wasn’t too concerned with the story. She was an actress that I had directed before in a more traditional film project.
All of the film was pretty glitchy so of course I used glitchy music. Unfortunately the footage is literally just a mini-dv camera recording a projection of the film because professional telecine scans can be quite expensive. A lot of work for a small pay-off — my silent peers in the class were indifferent — but I like it.